Why are people Spending Millions on the Bitcoin Elite’s Collectable Memes?

It all started in December 2017 with CryptoKitties created by Dapper Labs, a Canadian company as tradable collectibles. Each picture has a unique set of digits, a cryptocurrency or NFT. These can be exchanged on the Ethereum blockchain platform as a title deed granting a particular kitty holder ownership.

The trading game become famous among the crypto-initiated. It becomes so popular that CryptoKitties-related transactions got choked and slowed down Ethereum. This problem was eventually solved, and that was the last time most people heard about CryptoKitties. But this didn’t stop there. The auction is started in which a token related to a digital collection of 5,000 pictures by graphic designer Beeple will go under the sled at auction house Christie’s. Cryptographic money transactions are obviously accepted.

NFTs are selling rapidly, and this time, the Ethereum organization, which has been upgraded in 2017, is well equipped to manage the unending sloshing. Recently, NonFungible.com, an organization delivering market insights on NFTs, shared a report saying NFT exchanging was worth more than $250m, expanding by just about 300% from the earlier year.

On online platforms like OpenSea, Nifty Gateway (sponsored by twins Tyler and Cameron Winklevoss), and Raible, people spend huge amounts of cryptographic money and legal tender to purchase tokens addressing ownership of digital objects which are then often re-auctioned at greater costs.

Some of these NFTs are substitutes for collectibles in the practice of CryptoKitties – like Non-Fungible Pepes, a postmodern offer to recover the meme frog from the alt-right; others are objects planned to be utilized in video games; yet increasingly, they are connected to bits of digital art designed planned by honest-to-god creators like Beeple – who, two months prior, sold a token for $777,777 on Nifty Gateway.

If by any chance, this sounds entirely peculiar, that’s because it is. This method of paying for the symbolic ownership of a digital image that exists somewhere on the internet and can be captured on a screenshot or download in seconds sounds so alien that it appears to be either dumb or amusing.

Noah Davis, a specialist in post-war and contemporary art at Christie’s, said, “As a system, NFTs make it conceivable to allocate an incentive to digital art, which makes way for a sea of opportunities for a medium that is unbridled by physical limitations.”


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Sakshi Raturi

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